KING-082 Courts, Racetracks and Arenas Vol. 2 cover

KING-082 Courts, Racetracks and Arenas Vol. 2

In-your-face guitar rock brings the uproarious energy of a stadium on its feet, from the crack of a bat to the rev of an engine.

  • Play Song

    1. All In- Alt. Mix

    2:40

    Surprisingly beautiful for an uptempo distortion guitar rock song. Takes its time to tell an introspective story with its clean arpeggiated breaks.

  • Play Song

    2. Batter Batter- Alt. Mix

    2:52

    Agro rock leaves nothing in its path as it pushes and shoves its way through all foes with blaring guitars turned up beyond the point of natural distortion.

  • Play Song

    3. All In

    2:40

    Surprisingly beautiful for an uptempo distortion guitar rock song. Takes its time to tell an introspective story with its clean arpeggiated breaks.

  • Play Song

    4. Batter Batter

    2:52

    Agro rock leaves nothing in its path as it pushes and shoves its way through all foes with blaring guitars turned up beyond the point of natural distortion.

  • Play Song

    5. Echo Twin- Alt. Mix

    3:11

    Swelling electric guitar rise gives way to a dubby and muted electronic pulse-melody fused with acoustic guitar strum and studio electronic drumbreak.

  • Play Song

    6. Echo Twin

    3:11

    Swelling electric guitar rise gives way to a dubby and muted electronic pulse-melody fused with acoustic guitar strum and studio electronic drumbreak.

  • Play Song

    7. Flags and Swords

    3:21

    A choir of synth angels sing their siren song. But just when you think you’re safe, a storm of metal guitars make you question which afterlife you’re REALLY in.

  • Play Song

    8. Heavy Lefty- Underscore

    4:38

    A building funk rock song with fuzzed-out electric guitar, electronic drum mid-section, and persistent live drumkit beats. No “ooh’s”.

  • Play Song

    9. Heavy Lefty

    4:38

    A building funk rock song with fuzzed-out electric guitar, electronic drum mid-section, and persistent live drumkit beats. Sung “Ooh’s” pop up at opportune moments.

  • Play Song

    10. Kid Wild

    3:07

    Purely distortion guitar and silence at the top gives way to a spunky electro drumloop and fuzz instrumentation tune.

  • Play Song

    11. Mary is a Hitman- Alt. Mix

    2:27

    Uptempo pop tune takes its cues from 90’s punk rock but leaves room for an emotional and anthemic melody.

  • Play Song

    12. Heavy Lefty

    4:38

    A building funk rock song with fuzzed-out electric guitar, electronic drum mid-section, and persistent live drumkit beats. Sung “Ooh’s” pop up at opportune moments.

  • Play Song

    13. Kid Wild

    3:07

    Purely distortion guitar and silence at the top gives way to a spunky electro drumloop and fuzz instrumentation tune.

  • Play Song

    14. Mary is a Hitman- Alt. Mix

    2:27

    Uptempo pop tune takes its cues from 90’s punk rock but leaves room for an emotional and anthemic melody.

  • Play Song

    15. Mary is a Hitman

    2:27

    Uptempo pop tune takes its cues from 90’s punk rock but leaves room for an emotional and anthemic melody.

  • Play Song

    16. No Man's Land- Alt. Mix

    3:18

    Roots rock/Americana influenced guitar rock tune trades back and forth between twangy acoustic moments and big bombastic fuzz bass.

  • Play Song

    17. No Man's Land

    3:18

    Roots rock/Americana influenced guitar rock tune trades back and forth between twangy acoustic moments and big bombastic fuzz bass.

  • Play Song

    18. Pedal To Floor- Alt. Mix

    1:55

    90’s-inpsired pop rock tune knows how to have fun with its classic chord structure, rising mid-section, and optimistic mid-section guitar solo.

  • Play Song

    19. Pedal To Floor

    1:55

    90’s-inpsired pop rock tune knows how to have fun with its classic chord structure, rising mid-section, and optimistic mid-section guitar solo.

  • Play Song

    20. Short Hand- Alt. Mix

    2:25

    Funk-driven guitar rock is hip, sassy, and confident.

  • Play Song

    21. Short Hand

    2:25

    Funk-driven guitar rock is hip, sassy, and confident.