We return once again to evoke the filmic expanses of the wild west as seen through the eyes of an indie film director in this second volume of The Western Expanse. Features guitars, bass, synths, electronic percussion and much more.
GOODING; An uplifting and positive electronic-inspired, anthemic track. Features synths, guitars and percussion.
GOODING; A creepy, dirty, eclectic, electronic-driven track perfect for a crime/detective mystery or a sci-fi show. Features synths, drums and pizzicato strings.
GOODING; An expansive and panoramic track that features reverse hammer dulcimer and banjo.
GOODING; A positive and uplifting sparse track that sparkles with synth elements, bass guitar, plucked electric guitar and a simple lead line.
GOODING; A bouncy plucked electric guitar starts this one off and is soon followed by sparkling percussive bells sounds and synths.
GOODING; Spanish influenced acoustic guitar playing in a staccato free-form pattern is soon accompanied by light timpani and tambourines, as well as a low synth line.
GOODING; A somber acoustic guitar plays away somewhere deep in the south as church bells ring out sporadically.
GOODING; Reverse hammer dulcimer rings outs as beautiful enveloping synth pad sounds permeate the atmosphere and hold, lilting over simple piano chords.
GOODING; Creepy, droning synth pads soar through the air and are soon followed by atmospheric bell sounds and reverse guitar.
GOODING; Synth pads and reverse hammer dulcimer float endlessly through the heavens.