An eccentric blend of cross-continental instrumentation, shifting time signatures, and otherworldly soundscapes create an utterly unique auditory experience.
GOODING; Dark slimy- sandpaper played on drum heads at the end. Slide guitar and live drums and bass.
GOODING; Urban beat loops complement a chill, mid tempo tune with a surprising fuzz bass interruption.
GOODING; A mid-tempo exploration of eclectic rock elements builds to a rootsy rocking finish.
GOODING; A funky combo of live drums, smooth bass, piano, police scanners fx, and congas.
GOODING; Approaching a worldbeat vibe with djembe, triangles, and funk guitar with a drum and guitar breakdown.
GOODING; Clavinets, drums, guitar, and loose rhythmic writing structure create a jam-band vibe.
GOODING; A hip and confident cityscape, with reverse synths, plucked urban bass, and impressive drum fills.
GOODING; Trip hop beats with pretty classical guitar melody and a bizarre ethereal surprise ending.
GOODING; An ominous and enchanting soundscape with distant waterdrop electric piano, spooky percussion snaps, and pulsating synth bass.
GOODING; Pounding and persistent drums lay the ground work for rootsy guitars and deep bass.
GOODING; Spooky haunted house electro rock- with pulse bass, reverse needle-drop synth, and out-of-nowhere horror drums.
GOODING; Two sparkling and dueling electric guitars, fx pedals turned to 11. Swirling and hypnotic.