Lucky to Work Hard.

K2 is an LA-based music licensing company providing authentic songs, cues, sound design, and custom scores for film, TV, videogames, websites, and Fortune 500 companies.

Our 100% Writer/Publisher, un-retitled tracks are written by everyone from road-warrior rock musicians, to street-level hip hop artists, to orchestral composers.

For licensing, please contact APM Music at 323.461.3211 or clientservices@apmmusic.com.

Tracks

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  1. Dummy

  3:37

  ANGEL/DEVIL; Over the top rock ballad with the high energy screaming vocals of 1980’s super groups and lyrics about letting go of fear.
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  2. My Lover

  2:34

  ANGEL/DEVIL; Fierce and anthemic with agressive dueling shred guitar and lyrics about the sinister power of unrequited love.
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  3. Northstar

  2:38

  ANGEL/DEVIL; Agressive and obnoxious; builds from just a rock drumkit, to drums and fuzz bass, with lyrics about finding direction.
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  4. Weed My Garden

  5:11

  ANGEL/DEVIL; Industrial mud rock opens up to wild lyrical ballad with lyrics about fighting authority.
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  5. You Spit Fire

  3:07

  ANGEL/DEVIL; Gritty and agressive indie rock track features a face-melting guitar solo and lyrics about two opposites duking it out.
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  6. Vagabond

  3:13

  GOODING; Up tempo classic rock vibe with straightforward power trio instrumentation, pounding drums, orchestration and male vocals about journeys and getting away from it all.
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  7. Animals All

  4:37

  GOODING; Medium tempo eclectic rock combining traditional rock instrumentation, banjo and world-beat fusion elements with male vocals about animal rights.
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  8. Flow

  3:12

  This sleek and sexy track employs subtle yet funky guitar riffs, a jazzy piano solo, and a resonant bass line to create a sensual mood.
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  9. Machine Dance

  4:07

  This track provides the soundscape to a dystopian world by using sparse piano, driving beats and distorted vocal samples.
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  10. Mob Mentality (Inst.)

  2:33

  Stutter step hip-hop beats and Spanish style guitar pair pair up to create a track worthy of the modern desperado.
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  11. Off With Their Heads

  5:11

  This track lures you in with a funky and sparse guitar line, then grabs you with southern style guitar, sweeping synths, heavy bass, and never lets you go.
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  12. Shark Shark

  7:51

  Watery. Pretty. Melodic. Soft breathy sections into big drum sections. One section of 7/4. swirling Ebow guitars and keyboard explosions. Many sections leading to odd time towards end and breakdown with strings and ebow.
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  13. Somnus

  6:02

  Massive attack sounding. Sad. Hard slow loop with little cuts on the side. Live Grand Piano- airy snyth- bass and classical. New age meets trip hop. End has piano sustain from hand run across sounding board- creeking and overtones- rings out until foot lets off.
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  14. Zone 313

  2:16

  Dark, syrupy, draining and depressing. Djembe, Ebow and FX pulse similar to the other “Zone” titled tracks in the library.
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  15. Radio and A Gun

  4:44

  This track suits the modern cowboy’s journey into the desert well: acoustic guitar accompanied by straight rock beat and far off vocals.
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  16. Gray Matter

  5:15

  A classic rock beat sent through a filter and the distant sounds of a scorching guitar solo comprise the bulk of this track—eerie piano accompanies.
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  17. Stay A Little While Longer

  4:44

  Slow and low. Somber and melancholy. Ethereal Trip-hop. Light wah guitars, backwards guitar swells. old electric piano, vibes, and a homeless man I met in Tulsa, OK singing the title.
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  18. Tracers

  1:12

  Light. Airy. Floating. Dark. Breathy verb on rim shot. Two instruments- Simple drum track and Bass with reverse octave delays
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  19. Zone 315

  4:40

  An industrial ballad if you will. Ambient, pulsing, crushed drums and shimmering emo guitars.
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  20. .4.4

  5:59

  GOODING; A bizarre collage of a dude talking about nothing, a man laughing like a girl, and the hippest edgiest drum loops.